Courage at Twilight: Tzatziki

We both arrived home at 5:00 p.m., me from work, ready to cook dinner, and Dad from the podiatrist, holding his and Mom’s Burger King “lunch.” I decided to cook dinner anyway, because I had planned it, and I wanted to eat something wonderful, and I had all the fresh ingredients, and the chicken breast was thawed.  Listening to the news blaring for two hours while I cook had many times left me frustrated and depleted and sensorily overstimulated.  But I finally discovered I can listen to music while I cook, with my new headphones, old fashioned and corded, for watching movies on the airplane seat back screen.  Suddenly lost in Adam Young’s masterful short scores, like Apollo 11 and Project Excelsior and Mount Rushmore.  Instead of squinting absurdly as if to shut out the shouting commentators, I began to smile and bop and groove as I mixed my tzatziki sauce.  Chicken gyros were on the menu.  Before I started cooking, Mom asked me to tell her one thing about my day at work, and I evaded, mentioning lunch with a friend, like saying “Recess” in answer to “What’s your favorite class?”  I don’t know if I do not want to talk about work, or if I am simply uncomfortable talking.  I am not a talker.  Dad, now, he is a talker.  In my conversations with Dad, he does the talking.  I contribute an occasional “um hum” or “that’s interesting” or “I didn’t know that” as he expounds Christian doctrine, analyzes personalities, described his perpetual 87-year-old aches and pains (“it’s getting worse, Rog”), and worries about family members and finances.  He passes the time and fills the voids with continuous intelligent talk.  He dredges up the old stories: about a policeman we knew, JM, who was caught running two brothels in New Jersey and got caught and rejected an invitation to retire and was convicted and imprisoned instead; about the diminutive old German, Buntz, who died, and Dad stepped up to be executor of the estate, and the man’s coin collection (I remember it) lay stacked in short pillars on the ping-pong table in the basement, and fetched $20,000 for Buntz’s family; about the union tradesmen in 1971 who picketed the construction of our East Brunswick church building, being built by the labor of church members—Dad was the volunteer contractor—until they grew ashamed of themselves for picketing a church being built by its members, and they pitched in and wished us well with smiles; about how Jesus is good and true and trustworthy, doing more for us in every moment that we can possibly perceive or understand, though we will see it all one day.  I play the role of hushed filial audience, always impressed, frequently annoyed, often sighing burdened and dismayed.  I say little and am uncomfortable with the stage performance that is conversation, never heedless of how my hearers react.  But when my distress is sufficiently severe, and I have gathered my courage for weeks or months, I venture to tell Mom and Dad my troubles, and I am articulate and smart despite the awful hurt, and they listen carefully and interject carefully and do not grow weary.  And then we fall back into our conversational roles, and later while Dad watches the news with Mom, I listen to Adam Young and dance and cook chicken gyros with tzatziki sauce.

(Pictured above: chicken gyros in tzatziki sauce, with pita bend awkwardly buttressed.)

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